This is not a record for the average Electric Daisy Carnival goer. And the absence of “modern” club beats is striking. The jazz fusion gestures conjure ecstatic disco history as well as cheesy wine-bar soundtracks. Verses approach the banal old-school-production treacle is laid on thick, but the creative soul is palpable. It’s also remarkably beautiful and affecting. On “Touch,” Williams trades drama-queen verses with a cyber-chorus, like some alternate ending to Dave Bowman’s standoff with HAL, the computer, in 2001: A Space Odyssey. It is an anniversary reissue of the duos final studio album Random Access Memories containing an extra disc with 35 minutes of bonus content, including unreleased demos and outtakes. The processed vocals unspool a story that suggests cyborgs striving to be human – pretty much the story of all of us these days. Random Access Memories (10th Anniversary Edition) is the third compilation album by French electronic duo Daft Punk. There’s a narrative here, too, although in concept-album tradition, it’s a vague one. This is the anniversary edition of Daft Punk’s Grammy-winning fourth studio album, Random Access Memories.This edition is expected to release on May 12th, 2023 and is going to include about 35. Its brilliance is often irrefutable – like when the exquisitely funky rhythm guitar of Nile Rodgers flickers through “Get Lucky” and “Lose Yourself to Dance,” or when studio grandmasters Omar Hakim and John JR Robinson create godhead break beats apparently using drumsticks instead of loop triggers (see the prog-rock freakout “Contact”). Like ex-smokers turned anti-tobacco militants, Daft Punk have been disparaging EDM in the press, and without forsaking their Kiss-like robot personae, they’ve built a record more or less wholly on live instrumentation. Random Access Memories reflects all this. But plenty has happened since: EDM has gone megapop, while DP, following a 2007 stadium tour, repaired to L.A. It’s a long way from Homework, the 1997 debut on which Thomas Bangalter and Guy-Manuel de Homem-Christo perfected a brand of synth-and-sample-centered house music that rebooted Eurodisco and inspired acts from Kanye West to Swedish House Mafia. It cost the duo and Sony, at a conservative estimate. Then there’s the full package – a 70-minute-plus, over-the-top concept LP of prog-rocking, reverse-engineered dance music orbiting somewhere between Pink Floyd‘s Dark Side of the Moon and Earth, Wind and Fire‘s That’s the Way of the World. Daft Punk’s Random Access Memories was recorded over the span of five years and in three cities. Random Access Memories is full of WTF moments: Julian Casablancas delivering maybe the most emotive vocals of his career through a vocoder-style haze dance godfather Giorgio Moroder waxing nostalgic on an electro-jazz-funk epic pop-schmaltz guru Paul Williams (“We’ve Only Just Begun”) playing a love-starved cyborg in a disco fantasia. The only issue is that it sounds almost nothing like EDM. French duo Daft Punk helped create our current stadium-shaking, Coachella-dominating dance-music moment, and their new album is by far the year’s most anticipated EDM set.
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